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AFRICOBRA: Nation Time - About the exhibit

AFRICOBRA: Nation Time - About the exhibit

AFRICOBRA: Nation Time . Official Collateral Event of the  58th La Biennale di Venezia, Biennale Arte 2019 . Presented by  bardoLA , Los Angeles, California, originated and supported by  MOCA North Miami , Florida, and curated by Jeffreen M. Hayes, Ph.D. Sponsored by  Kavi Gupta Gallery , Chicago, Illinois. Photo Credit:  Ugo Carmeni Studio , Venezia, Italy.

AFRICOBRA: Nation Time. Official Collateral Event of the 58th La Biennale di Venezia, Biennale Arte 2019. Presented by bardoLA, Los Angeles, California, originated and supported by MOCA North Miami, Florida, and curated by Jeffreen M. Hayes, Ph.D. Sponsored by Kavi Gupta Gallery, Chicago, Illinois. Photo Credit: Ugo Carmeni Studio, Venezia, Italy.


AFRICOBRA: Nation Time is presented by bardoLA, originated and supported by the Museum of Contemporary Art (MOCA) North Miami, and curated by Jeffreen M. Hayes.
The exhibition is sponsored by Kavi Gupta Gallery, Chicago, Illinois, and made possible with generous support by the City of North Miami, Florida, and the John S. and James L. Knight Foundation.

AFRICOBRA: Nation Time at Biennale Arte 2019 is the first time the work of this vital, definitive, and historic Black Arts collective is being celebrated by global audiences on this scale. AFRICOBRA (The African Commune of Bad Relevant Artists) was founded on the South Side of Chicago in 1968 by a collective of young Black artists whose interest in Transnational Black Aesthetics led them to create one of the most distinctive voices in 20th Century American art. The key characteristics to what we now consider the classic AFRICOBRA look - vibrant, "cool-ade" colors, bold text, shine and positive images of Black people - were essential to everyday life in the community from which the movement emerged. Their collective impact helped establish the visual voice of the Black Arts Movement of the 1960s and 70s.

The five AFRICOBRA founders—Jeff Donaldson, Wadsworth Jarrell, Jae Jarrell, Barbara Jones-Hogu and Gerald Williams—understood the potential power visual art has to communicate deep meaning on multiple layers. They had the sophistication to mobilize the organic elements of their everyday visual environment into something capable of affecting the hearts, minds, and spirits of contemporary people. Their collective impact, in addition to Napoleon Jones-Henderson and Nelson Stevens both of whom joined the group in 1969 on the visual arts scene helped establish the visual voice of the Black Arts Movement of the 1960s and 70s. Their further impact—as artists, educators, and community leaders—has brought the members of AFRICOBRA to the forefront of contemporary conversations about the history, legacy, and future of Black Art in America and the world.

AFRICOBRA: Nation Time is the next chapter of  AFRICOBRA: Messages to the People, which premiered at MOCA North Miami during Art Basel Miami 2018, AFRICOBRA: Nation Time focuses entirely on the historic aspects of this vital, Chicago-born Black Arts collective. More than 40 are on view by Jeff Donaldson, Gerald Williams, Jae Jarrell, Wadsworth Jarrell, Barbara Jones-Hogu, Napoleon Jones-Henderson, and Nelson Stevens. Historic documentation, archival photographs and other ephemera are showcased throughout the exhibition offering a unique and comprehensive narrative of AFRICOBRA’s birth and evolution on the South Side of Chicago in the late 1960s and early 1970s and its reverberating effect on the art scenes of Washington, DC, New York City, and Lagos, Nigeria.

“The fullness of Blackness is important in our global culture and AFRICOBRA addresses and connects the Diaspora in their art,” said Hayes. “While it represents this movement of nationhood in the 1970s, this exhibition explores the social and political fabric that continues to hold Black people together, even through the struggle in our contemporary moment.”

This groundbreaking, museum quality exhibition is mounted within the historic, picturesque Venetian Gothic palazzo of Ca’ Faccanon, offering more than 9,000 square feet of exhibition space on two floors, adorned with its original Venetian plaster and Murano chandleries. Its perfectly central location is only meters away from the Rialto Bridge and Piazza San Marco.